List of DaVinci Resolve Customers
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Since 2010, our global team of researchers has been studying DaVinci Resolve customers around the world, aggregating massive amounts of data points that form the basis of our forecast assumptions and perhaps the rise and fall of certain vendors and their products on a quarterly basis.
Each quarter our research team identifies companies that have purchased DaVinci Resolve for Video Editing from public (Press Releases, Customer References, Testimonials, Case Studies and Success Stories) and proprietary sources, including the customer size, industry, location, implementation status, partner involvement, LOB Key Stakeholders and related IT decision-makers contact details.
Companies using DaVinci Resolve for Video Editing include: Agicap France, a France based Professional Services organisation with 500 employees and revenues of $60.0 million, VibraSens, a France based Manufacturing organisation with 50 employees and revenues of $5.0 million, OneRiver Media, a United States based Media organisation with 36 employees and revenues of $5.0 million, Woolly Dream Productions, a United Kingdom based Media organisation with 20 employees and revenues of $2.0 million, Nassprod, a France based Media organisation with 10 employees and revenues of $1.0 million and many others.
Contact us if you need a completed and verified list of companies using DaVinci Resolve, including the breakdown by industry (21 Verticals), Geography (Region, Country, State, City), Company Size (Revenue, Employees, Asset) and related IT Decision Makers, Key Stakeholders, business and technology executives responsible for the software purchases.
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| Logo | Customer | Industry | Empl. | Revenue | Country | Vendor | Application | Category | When | SI | Insight |
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Agicap France | Professional Services | 500 | $60M | France | Blackmagic Design | DaVinci Resolve | Video Editing | 2022 | n/a |
In 2022, Agicap France deployed DaVinci Resolve for Video Editing to support marketing and corporate communications video production. The deployment was concentrated in Lyon where a dedicated Video Editor role began using DaVinci Resolve in mid 2022, reflecting a creative capability embedded within the Professional Services organization of roughly 500 employees.
DaVinci Resolve was configured to deliver core Edit timeline workflows, Color grading and correction, Fusion compositing for motion design, Fairlight audio post-production, and Deliver export pipelines. Configuration work emphasized project templates, LUT management, timeline presets, and standardized codec/export profiles aligned with the team’s Vimeo and motion design outputs.
The implementation used workstation installations on creative desktops with centralized project file conventions to enable handoffs between the Video Editor and marketing and product stakeholders. Collaboration relied on file-based project sharing and versioning practices to support iterative review cycles rather than integrated third-party orchestration, consistent with a compact, site-focused creative workflow.
Governance centered on naming conventions, asset version control, and structured review workflows, with role-based access scoped to creative staff and reviewers. Rollout appears incremental, anchored by the Lyon editor, with adoption driven by production needs across content, marketing, and product communications rather than a broad enterprise multimedia program.
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Nassprod | Media | 10 | $1M | France | Blackmagic Design | DaVinci Resolve | Video Editing | 2020 | n/a |
In 2020 Nassprod implemented DaVinci Resolve for Video Editing. Nassprod is a Paris based media company of about 10 employees, where videographer and director Nassic Bourhlem has led post production since July 2020 on projects including institutional films for Caisse des dépôts, a music clip for Singrid, and a reportage for the Mairie de Beauvais.
The DaVinci Resolve deployment serves as the central Video Editing environment, combining nonlinear editing, color grading, and integrated audio post production capabilities typical of the category. Functional use includes timeline editing, multicam sequences, node based color correction, and Fairlight audio mixing and mastering workflows within DaVinci Resolve.
Workflows ingest native Blackmagic Design Pocket 4K camera footage and drone footage from a Mavic 2 Pro, with location audio recorded on an H4n Pro and stabilization performed with a Zhiyun crane. Workstations run Mac OS and the Nassprod toolkit also retains Final Cut Pro, Sony Vegas, and Compressor in the encode and interchange layer, enabling interchange of project media and delivery encoding across applications.
Rollout and operational governance are concentrated at a single Paris site with Nassic Bourhlem acting as lead editor and production owner, standardizing file naming, project folder structures, and a capture to post pipeline on local Mac OS storage. The implementation emphasizes a single Video Editing platform for editing and color workflows while maintaining interoperability with existing editing and encoding tools.
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OneRiver Media | Media | 36 | $5M | United States | Blackmagic Design | DaVinci Resolve | Video Editing | 2016 | n/a |
In 2016, OneRiver Media implemented DaVinci Resolve as a Video Editing solution to run full non-linear editing and grading workflows. OneRiver Media adopted DaVinci Resolve Studio and evaluated the application as a primary NLE across client projects while comparing it to existing NLEs in use at the facility.
The deployment emphasized native RAW timeline editing, high frame rate 4K HFR media handling, HDR grading, timeline-based edit and color pages, and end-to-end finishing capabilities within DaVinci Resolve. The team eliminated proxy generation and complex round-tripping by editing camera native RAW files directly in the DaVinci Resolve timeline, a workflow that required high-performance RAID storage to sustain real-time playback of compressed and lossless RAW media.
Integration and operational coverage centered on ingest from Blackmagic Design cameras including the Blackmagic URSA used on commercial shoots, collaborative edit sessions with production partners such as Miner Productions, and delivery workflows for UHD masters. DaVinci Resolve was used across OneRiver Media post-production, with the music score handled outside the application, and the system supported multi-project throughput as the editor produced roughly 40 to 50 titles over the first year.
Governance and rollout followed a staged adoption model, beginning on public beta builds and moving to DaVinci Resolve Studio for full productions after real-world validation on paid client work. OneRiver Media documented stable, crash-free editing during beta use on a 4K HFR RAW commercial series, and later committed to end-to-end projects delivered in UHD with grading and finishing completed in DaVinci Resolve, noting improved workflow simplicity by removing proxy and conform steps.
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Manufacturing | 50 | $5M | France | Blackmagic Design | DaVinci Resolve | Video Editing | 2022 | n/a |
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Media | 20 | $2M | United Kingdom | Blackmagic Design | DaVinci Resolve | Video Editing | 2020 | n/a |
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Buyer Intent: Companies Evaluating DaVinci Resolve
- Professional Insurance Associates, a United States based Insurance organization with 10 Employees
- Br Williams, a United States based Transportation company with 22 Employees
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