List of Adobe Premiere Pro Customers
Adobe
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Professional Services
31360
$23.8B
Since 2010, our global team of researchers has been studying Adobe Premiere Pro customers around the world, aggregating massive amounts of data points that form the basis of our forecast assumptions and perhaps the rise and fall of certain vendors and their products on a quarterly basis.
Each quarter our research team identifies companies that have purchased Adobe Premiere Pro for Video Editing from public (Press Releases, Customer References, Testimonials, Case Studies and Success Stories) and proprietary sources, including the customer size, industry, location, implementation status, partner involvement, LOB Key Stakeholders and related IT decision-makers contact details.
Companies using Adobe Premiere Pro for Video Editing include: NASA Jet Propulsion Laboratory, a United States based Aerospace and Defense organisation with 6000 employees and revenues of $2.50 billion, Yeti, a United States based Manufacturing organisation with 1050 employees and revenues of $1.66 billion, ITV, a United Kingdom based Media organisation with 1268 employees and revenues of $717.0 million, Sundance Institute, a United States based Non Profit organisation with 180 employees and revenues of $20.0 million and many others.
Contact us if you need a completed and verified list of companies using Adobe Premiere Pro, including the breakdown by industry (21 Verticals), Geography (Region, Country, State, City), Company Size (Revenue, Employees, Asset) and related IT Decision Makers, Key Stakeholders, business and technology executives responsible for the software purchases.
The Adobe Premiere Pro customer wins are being incorporated in our Enterprise Applications Buyer Insight and Technographics Customer Database which has over 100 data fields that detail company usage of software systems and their digital transformation initiatives. Apps Run The World wants to become your No. 1 technographic data source!
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| Logo | Customer | Industry | Empl. | Revenue | Country | Vendor | Application | Category | When | SI | Insight |
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ITV | Media | 1268 | $717M | United Kingdom | Adobe Systems | Adobe Premiere Pro | Video Editing | 2024 | Edit Cloud |
In 2024, ITV Studios moved unscripted post-production for shows such as Come Dine With Me to a cloud-based editing workflow built around Adobe Premiere Pro and Edit Cloud, improving remote collaboration across UK production teams, the Apps Category was central to the initiative. The Adobe Premiere Pro implementation centralized editing workflows for ITV, aligning project sharing and review processes across multiple production sites.
The implementation focused on core editing and post-production capabilities typical of video editing workflows, including collaborative timelines, proxy editing for remote contributors, and accelerated logging and prep processes. Adobe Premiere Pro was configured to support shared project bins and review sessions, and the new process reduced logging and prep time by up to 60 percent while accelerating overall post workflows by about 30 percent.
The delivery was executed with Edit Cloud and AWS partners, with media staging and storage moved into a cloud-hosted edit environment to enable distributed editing across the UK. Integrations emphasized cloud asset staging, remote ingest, and collaborative review, enabling producers and editors to work concurrently on media without physical transfer of source footage.
Governance centered on standardized post workflows for ITV Studios unscripted production, with Edit Cloud providing operational support and a common control plane for project access and versioning. The rollout targeted UK production teams and included process changes to logging, review, and approval workflows, and the program reported measurable cost and carbon-emissions reductions in the region.
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NASA Jet Propulsion Laboratory | Aerospace and Defense | 6000 | $2.5B | United States | Adobe Systems | Adobe Premiere Pro | Video Editing | 2025 | n/a |
In 2025 NASA Jet Propulsion Laboratory implemented Adobe Premiere Pro within an Adobe Creative Cloud centric content pipeline to produce the ClipperAR augmented reality experience for the Europa Clipper mission. Adobe Premiere Pro was used to author the animatic and to sequence narrative flow that guided interactive AR triggers and scripted voiceover, linking editorial timelines to the broader asset build for the public engagement program.
The implementation combined Adobe Premiere Pro editing workflows with Adobe After Effects for animated infographics, Adobe Audition for narration editing, and Adobe Media Encoder for format optimization, reflecting an integrated Creative Cloud production chain. Adobe Substance 3D tools including Substance Painter, Sampler, Designer, and Stager were used upstream to create scientifically accurate, lightweight 3D assets, while Photoshop and Illustrator produced 2D imagery and UI elements that Premiere Pro incorporated into timed sequences and animations.
Operational coverage spanned JPL’s Public Engagement team and MediaLab, and the production pipeline delivered reusable assets for the JPL website, live events, classroom distributions, and mobile AR delivery. The scope included creation of 146 high-fidelity assets, more than 30 interactive AR elements, 585 actions, and over 50 animations, with Premiere Pro serving as the central editorial node connecting visual, audio, and animation assets into a cohesive user narrative.
Governance centered on an editorial approval workflow managed by JPL Public Engagement, with scientific accuracy validated using NASA satellite imagery fed into Substance Sampler to generate elevation and material data for Europa’s surface. The team established an asset reuse and export practice, where Premiere Pro timelines and Media Encoder outputs were optimized for mobile AR packaging and distribution via a single link without requiring app installation.
Outcomes reported from this implementation include a deployed augmented reality experience with over 30 interactive elements, engagement across in-person events, classrooms, and at-home viewers, creation of 146 new assets including photoreal 3D models derived from NASA imagery, and a shareable mobile AR experience delivered with no app installation required.
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Sundance Institute | Non Profit | 180 | $20M | United States | Adobe Systems | Adobe Premiere Pro | Video Editing | 2023 | Sclera |
In 2023, Sundance Institute used Adobe Premiere Pro together with Camera to Cloud and Frame.io to support rapid event video production and review for the Sundance Film Festival across Park City and Salt Lake City. The implementation concentrated on the festival production team and a cloud first ingest and review pipeline designed to meet under 24 hour publish deadlines.
Adobe Premiere Pro served as the primary nonlinear editing environment, supporting ingest, timeline editing, assembly, and export workflows. The team configured Speech to Text captions as part of the cloud workflow to improve accessibility and to accelerate captioning and quality control steps.
The cloud workflow integrated Camera to Cloud for direct camera uploads, Frame.io for collaborative review and approval, Atomos for on set recorder connectivity, and Sclera Digital for connectivity and deployment support. These integrations enabled rapid media handoff from capture through review without extended physical media logistics and centralized content staging in cloud storage.
Sundance Institute engaged Sclera to orchestrate connectivity and operational workflows across festival sites, standardizing review cycles and producer editor handoffs. Governance focused on fast review turnaround, captioning compliance, and centralized review controls to sustain tight publishing windows.
The combined Adobe Premiere Pro, Camera to Cloud, and Frame.io workflow sped editing and review, improved accessibility through Speech to Text captions, and reduced logistical overhead for festival post production, enabling under 24 hour publish deadlines while maintaining centralized review and approval processes.
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Yeti | Manufacturing | 1050 | $1.7B | United States | Adobe Systems | Adobe Premiere Pro | Video Editing | 2024 | Overcast HQ |
In 2024 Yeti implemented Adobe Premiere Pro within an Overcast HQ cloud video platform deployment to centralize global marketing and creative video assets, using Adobe Premiere Pro as the Video Editing client for remote and collaborative editing. The work focused on establishing a single searchable hub for asset ingest, metadata indexing, and accelerated editorial handoffs for content teams across the organization.
The implementation configured Adobe Premiere Pro integration points to enable remote editing sessions and direct asset access from the Overcast cloud repository, preserving editorial workflows while shifting storage and ingest flows into a centralized platform. Functional capabilities implemented included high-volume ingest pipelines, searchable metadata indexing, cloud-based proxy generation, and editorial session orchestration to support distributed editors.
Overcast HQ served as the implementation and platform provider, integrating the Overcast cloud video platform with Adobe Premiere Pro and provisioning remote editing workflows for Yeti's marketing and creative departments. Operational coverage emphasized global content teams, centralized asset management, and a unified post production pipeline that reduced dependence on localized file transfers and siloed storage.
Governance and workflow restructuring focused on centralized access control, metadata governance, and standardized ingest to publish procedures, enabling consistent naming, tagging, and editorial handoff processes across teams. Rollout centered on aligning creative production workflows to the Overcast platform while using Adobe Premiere Pro as the authoring tool for Video Editing tasks.
Reported outcomes from the Overcast case study include ingesting over 500k files into the centralized platform, achieving up to 80% lower storage cost, and delivering approximately 10 times faster post to publish processing for Yeti's content teams, evidencing substantial operational throughput and storage efficiency gains.
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Buyer Intent: Companies Evaluating Adobe Premiere Pro
ARTW Buyer Intent uncovers actionable customer signals, identifying software buyers actively evaluating Adobe Premiere Pro. Gain ongoing access to real-time prospects and uncover hidden opportunities. Companies Actively Evaluating Adobe Premiere Pro for Video Editing include:
- Evaluar, a Mexico based Professional Services organization with 97 Employees
Discover Software Buyers actively Evaluating Enterprise Applications
| Logo | Company | Industry | Employees | Revenue | Country | Evaluated | ||
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FAQ - APPS RUN THE WORLD Adobe Premiere Pro Coverage
Adobe Premiere Pro is a Video Editing solution from Adobe Systems.
Companies worldwide use Adobe Premiere Pro, from small firms to large enterprises across 21+ industries.
Organizations such as NASA Jet Propulsion Laboratory, Yeti, ITV and Sundance Institute are recorded users of
Adobe Premiere Pro for Video Editing.
Companies using Adobe Premiere Pro are most concentrated in Aerospace and Defense, Manufacturing and Media, with adoption spanning over 21 industries.
Companies using Adobe Premiere Pro are most concentrated in United States and United Kingdom, with adoption tracked across 195 countries worldwide. This global distribution highlights the popularity of Adobe Premiere Pro across Americas, EMEA, and APAC.
Companies using Adobe Premiere Pro range from small businesses with 0-100 employees - 0%, to mid-sized firms with 101-1,000 employees - 25%, large organizations with 1,001-10,000 employees - 75%, and global enterprises with 10,000+ employees - 0%.
Customers of Adobe Premiere Pro include firms across all revenue levels — from $0-100M, to $101M-$1B, $1B-$10B, and $10B+ global corporations.
Contact APPS RUN THE WORLD to access the full verified Adobe Premiere Pro customer database with detailed Firmographics such as industry, geography, revenue, and employee breakdowns as well as key decision makers in charge of Video Editing.