List of Piction Digital Media Exchange Customers
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Since 2010, our global team of researchers has been studying Piction Digital Media Exchange customers around the world, aggregating massive amounts of data points that form the basis of our forecast assumptions and perhaps the rise and fall of certain vendors and their products on a quarterly basis.
Each quarter our research team identifies companies that have purchased Piction Digital Media Exchange for Digital Asset Management from public (Press Releases, Customer References, Testimonials, Case Studies and Success Stories) and proprietary sources, including the customer size, industry, location, implementation status, partner involvement, LOB Key Stakeholders and related IT decision-makers contact details.
Companies using Piction Digital Media Exchange for Digital Asset Management include: Cleveland Museum of Art, a United States based Non Profit organisation with 335 employees and revenues of $129.0 million, Dallas Museum Of Art, a United States based Leisure and Hospitality organisation with 275 employees and revenues of $30.0 million, National Council Of Women War Memorial Fund, a Australia based Leisure and Hospitality organisation with 4 employees and revenues of $1.0 million and many others.
Contact us if you need a completed and verified list of companies using Piction Digital Media Exchange, including the breakdown by industry (21 Verticals), Geography (Region, Country, State, City), Company Size (Revenue, Employees, Asset) and related IT Decision Makers, Key Stakeholders, business and technology executives responsible for the software purchases.
The Piction Digital Media Exchange customer wins are being incorporated in our Enterprise Applications Buyer Insight and Technographics Customer Database which has over 100 data fields that detail company usage of software systems and their digital transformation initiatives. Apps Run The World wants to become your No. 1 technographic data source!
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| Logo | Customer | Industry | Empl. | Revenue | Country | Vendor | Application | Category | When | SI | Insight |
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Cleveland Museum of Art | Non Profit | 335 | $129M | United States | Piction | Piction Digital Media Exchange | Digital Asset Management | 2007 | n/a |
In 2007, Cleveland Museum of Art implemented Piction Digital Media Exchange as its enterprise Digital Asset Management backbone. The Piction Digital Media Exchange deployment in the United States was scoped as a collections and digital-asset use case focused on visitor engagement and publishing outcomes, supporting museum collections workflows and public access to collection images.
The implementation concentrated on collections photography workflows and on publishing imagery for both gallery experiences and online channels. Piction Digital Media Exchange was configured to ingest high resolution photography, manage descriptive metadata and rights information, and serve curated image sets for display, reflecting standard Digital Asset Management capabilities such as asset ingestion, metadata cataloging, and image delivery services.
Operational coverage included the museum collections and photography teams and extended to exhibition technology through direct integration with the Gallery One Collection Wall and the ArtLens app. Integration notes for Gallery One document the 2007 partnership and describe the system level connections used to feed image assets and metadata into gallery display and mobile interpretation workflows, while internal governance aligned image approval and publishing workflows with collections stewardship and visitor engagement objectives.
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Dallas Museum Of Art | Leisure and Hospitality | 275 | $30M | United States | Piction | Piction Digital Media Exchange | Digital Asset Management | 2014 | n/a |
In 2014, Dallas Museum Of Art implemented Piction Digital Media Exchange as its Digital Asset Management system. The deployment was a collections focused digital asset management initiative in the United States to ingest high resolution collection photography and to drive the museum's redesigned online collection publishing.
The implementation configured centralized asset repositories and ingest pipelines to handle high resolution image files, with metadata modeling aligned to collection records. Piction Digital Media Exchange was used to manage descriptive and rights metadata, generate publication ready derivatives, and orchestrate asset level workflows for editing and approval. Functional capabilities emphasized linking assets to collection records and supporting publishing pipelines for online presentation.
The DAM was integrated with the museum's collections management system, linking images to its TMS to maintain authoritative object records and provenance data. Operational coverage included collections, curatorial, digital services and web publishing teams responsible for online collection access. The deployment supported the museum's redesigned online collection publishing process by providing controlled asset delivery and metadata synchronization.
Governance changes included metadata reconciliation and editorial workflow definition to support staged ingestion and publication, with staff training oriented to curatorial and digital teams. The configuration explicitly aimed to improve online access and streamline image workflows for the museum's collection.
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National Council Of Women War Memorial Fund | Leisure and Hospitality | 4 | $1M | Australia | Piction | Piction Digital Media Exchange | Digital Asset Management | 2015 | n/a |
In 2015, National Council Of Women War Memorial Fund implemented Piction Digital Media Exchange as its Digital Asset Management platform. The Piction Digital Media Exchange deployment serves as the primary workflow and digital media system for the memorial's collections and archives operations in Australia.
The deployment configures Piction workflow and commerce related capabilities to manage licensing, reproduction and internal and external image requests, and it powers the memorial’s online shop and bookings flows. Implemented functional modules include workflow orchestration for request intake and approval, rights and licensing management for digitised assets, and storefront and booking capabilities to support cost-recovery for reproduction and licensing fees. Operational scope is focused on collections and archives teams, applying automated request processing and centralized licensing procedures for digitised collection assets, with governance organized around standardized request workflows and cost-recovery processes as described in the vendor case study.
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