List of Splice Customers
Bending Spoons
Via Nino Bonnet, 10,,
Milano, 20154,
Italy
Milano, 20154,
Italy
n/a
Professional Services
400
$70M
Since 2010, our global team of researchers has been studying Splice customers around the world, aggregating massive amounts of data points that form the basis of our forecast assumptions and perhaps the rise and fall of certain vendors and their products on a quarterly basis.
Each quarter our research team identifies companies that have purchased Splice for Video Editing from public (Press Releases, Customer References, Testimonials, Case Studies and Success Stories) and proprietary sources, including the customer size, industry, location, implementation status, partner involvement, LOB Key Stakeholders and related IT decision-makers contact details.
Companies using Splice for Video Editing include: FNAIM, a France based Non Profit organisation with 300 employees and revenues of $35.0 million, Gremadis Sas, a France based Media organisation with 80 employees and revenues of $10.0 million, Cutty Sark, a United Kingdom based Leisure and Hospitality organisation with 25 employees and revenues of $5.0 million, Ogest, a France based Professional Services organisation with 25 employees and revenues of $3.0 million, Placktor Avocats, a France based Professional Services organisation with 10 employees and revenues of $2.0 million and many others.
Contact us if you need a completed and verified list of companies using Splice, including the breakdown by industry (21 Verticals), Geography (Region, Country, State, City), Company Size (Revenue, Employees, Asset) and related IT Decision Makers, Key Stakeholders, business and technology executives responsible for the software purchases.
The Splice customer wins are being incorporated in our Enterprise Applications Buyer Insight and Technographics Customer Database which has over 100 data fields that detail company usage of software systems and their digital transformation initiatives. Apps Run The World wants to become your No. 1 technographic data source!
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| Logo | Customer | Industry | Empl. | Revenue | Country | Vendor | Application | Category | When | SI | Insight |
|---|---|---|---|---|---|---|---|---|---|---|---|
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Cutty Sark | Leisure and Hospitality | 25 | $5M | United Kingdom | Bending Spoons | Splice | Video Editing | 2021 | n/a |
In 2021 Cutty Sark deployed Splice to support short form social media video production, using Splice as the core Video Editing tool for channel content creation and scheduling. The implementation placed Splice at the center of the pub's content workflow, with the Social Media Officer responsible for producing videos, replying to direct messages and comments, and posting according to a schedule agreed with the Area Marketing Manager.
Splice was used for timeline editing, trimming, titling and sequence assembly, combined with mobile-friendly audio and basic color adjustments consistent with Video Editing functionality. Production assets were sourced from Adobe Lightroom, Photoshop and Canva and assembled into Splice projects to create social clips and promotional sequences for Cutty Sark's social channels.
Operational coverage focused on the Cutty Sark pub in London, supporting the Social Media Officer and coordinating with floor supervisors and the restaurant and bar team for content capture and on-premise shoots. Governance relied on a content calendar and posting schedule approved by the Area Marketing Manager, integrating content production responsibilities into existing front-of-house supervision duties rather than creating a separate production team.
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FNAIM | Non Profit | 300 | $35M | France | Bending Spoons | Splice | Video Editing | 2019 | n/a |
In 2019, FNAIM implemented Splice as a mobile video editing tool to support social media and internal communications, positioning Splice within the Video Editing category for short form content production. The deployment occurred during a communications program led by a Digital Communication Officer based in Paris between March and August 2019, focused on community management and educational video creation tied to social network performance and an editorial calendar.
Splice was used as the primary mobile editing application for on-the-go capture and assembly of social videos, complementing desktop toolchains such as Final Cut Pro and Photoshop and design work in Canvas. Functional capabilities employed included mobile clip trimming and sequencing, title and overlay composition, soundtrack assembly, and exporting of platform-appropriate video assets for social channels, reflecting standard Video Editing workflows for rapid content iteration.
Operational coverage centered on the communications function, supporting community management, editorial calendar execution, internal communication materials, and HR CSR event coverage including campaign and contest media. Content outputs were published to social networks and supported by web and email infrastructure including WordPress, Ecwid and ASPMail for distribution and audience engagement, with Pack Office used for supporting collateral.
Governance of the Splice-driven workflow was managed by the communications team in Paris, using an editorial calendar to schedule shoots, mobile edits and publication. The implementation emphasized repeatable production practices and handoff between mobile editing and desktop post production, enabling consistent formatting for social channels and integrated use across campaign and event activities.
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Gremadis Sas | Media | 80 | $10M | France | Bending Spoons | Splice | Video Editing | 2014 | n/a |
In 2014, Gremadis Sas deployed Splice as its Video Editing application to support newsroom multimedia production. Splice was provisioned on a mix of PC and Mac workstations used by written press and web editorial staff, embedding video editing into daily editorial operations for the ouest-france.fr site.
The implementation emphasized capture and post production workflows common to the Video Editing category, with configuration of ingest, timeline editing, trimming and web export presets tailored to fast editorial turnaround. Splice was used to create and export short-form video packages suitable for online publishing, and the configuration included standardized export profiles to match the newsroom publishing pipeline.
Splice operated alongside existing editorial and enterprise tools, notably Wedia and Open 3 for asset management, V3 and Siroco for editorial processes, and Daily field reports for content intake. Finalized media files were transferred via FTP into the Wordpress powered site ouest-france.fr, while correction, proofreading and rewriting steps remained coordinated with page layout tools such as InDesign and Dreamweaver.
Operational scope covered the Saint-Nazaire and Flers editorial teams, integrating video production into established editorial review and publishing workflows. Governance focused on cross-platform editing procedures, editorial handoff checkpoints, and file transfer and storage conventions to ensure consistent delivery into the web CMS.
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Ogest | Professional Services | 25 | $3M | France | Bending Spoons | Splice | Video Editing | 2020 | n/a |
In 2020, Ogest implemented Splice for Video Editing to support its communications content production. The deployment targeted the Communications function at Ogest-Palaiseau and addressed tradeshows, internal events, social networks, newsletters and YouTube, with adoption beginning in September 2020 and continuing in active use by the Communications Officer.
Splice was adopted for video montage workflows and used alongside desktop authoring tools such as Premiere Pro and After Effects, and graphic tools including InDesign and Illustrator. Typical Video Editing capabilities applied include timeline editing, clip trimming, transitions, basic color adjustment and audio leveling to produce short social clips, trade show media and internal onboarding videos. The application forms part of a broader content toolchain that also leverages WordPress for site publishing and HTML5 and CSS3 for newsletter and web content.
Operational coverage is departmental, centered on Communications and Marketing activities for events, social channel management and site updates, supporting a 25-employee professional services firm. Rollout and governance were managed within the communications team with single-team ownership and iterative production workflows for trade show assets, employee welcome materials and social posts. Configuration choices prioritized lightweight editing and rapid turnaround to match the cadence of ongoing communications duties.
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Placktor Avocats | Professional Services | 10 | $2M | France | Bending Spoons | Splice | Video Editing | 2017 | n/a |
In 2017, Placktor Avocats adopted Splice as part of its Video Editing toolkit. The small French professional services firm implemented Splice alongside iMovie, Canva, and Photoshop while retaining Office applications Word, Excel, and Outlook as part of the content production stack. Placktor Avocats deployed Splice to produce short form video assets for Instagram, LinkdIn, Tik Tok and Twitter and to support client-facing communications and marketing collateral.
The Splice implementation emphasized standard Video Editing capabilities common to the category, including timeline editing, trimming, transitions, audio mixing, and basic color correction to support mobile first production workflows. The application was used to assemble and iterate clips created from Canva and Photoshop assets, and to export distribution ready MP4 files for social channels and firm communications.
Operational rollout ran from June 2017 to October 2017, with adoption concentrated among staff responsible for marketing and communications across the firm. Governance and process alignment centered on centralized editing ownership, scripted review workflows managed via Word and Outlook, and a production handoff from asset creation tools to Splice Video Editing for finalization and publishing.
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| Logo | Company | Industry | Employees | Revenue | Country | Evaluated | ||
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FAQ - APPS RUN THE WORLD Splice Coverage
Splice is a Video Editing solution from Bending Spoons.
Companies worldwide use Splice, from small firms to large enterprises across 21+ industries.
Organizations such as FNAIM, Gremadis Sas, Cutty Sark, Ogest and Placktor Avocats are recorded users of
Splice for Video Editing.
Companies using Splice are most concentrated in Non Profit, Media and Leisure and Hospitality, with adoption spanning over 21 industries.
Companies using Splice are most concentrated in France and United Kingdom, with adoption tracked across 195 countries worldwide. This global distribution highlights the popularity of Splice across Americas, EMEA, and APAC.
Companies using Splice range from small businesses with 0-100 employees - 80%, to mid-sized firms with 101-1,000 employees - 20%, large organizations with 1,001-10,000 employees - 0%, and global enterprises with 10,000+ employees - 0%.
Customers of Splice include firms across all revenue levels — from $0-100M, to $101M-$1B, $1B-$10B, and $10B+ global corporations.
Contact APPS RUN THE WORLD to access the full verified Splice customer database with detailed Firmographics such as industry, geography, revenue, and employee breakdowns as well as key decision makers in charge of Video Editing.