List of Splice Customers
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Since 2010, our global team of researchers has been studying Splice customers around the world, aggregating massive amounts of data points that form the basis of our forecast assumptions and perhaps the rise and fall of certain vendors and their products on a quarterly basis.
Each quarter our research team identifies companies that have purchased Splice for Video Editing from public (Press Releases, Customer References, Testimonials, Case Studies and Success Stories) and proprietary sources, including the customer size, industry, location, implementation status, partner involvement, LOB Key Stakeholders and related IT decision-makers contact details.
Companies using Splice for Video Editing include: FNAIM, a France based Non Profit organisation with 300 employees and revenues of $35.0 million, Gremadis Sas, a France based Media organisation with 80 employees and revenues of $10.0 million, Cutty Sark, a United Kingdom based Leisure and Hospitality organisation with 25 employees and revenues of $5.0 million, Ogest, a France based Professional Services organisation with 25 employees and revenues of $3.0 million, Placktor Avocats, a France based Professional Services organisation with 10 employees and revenues of $2.0 million and many others.
Contact us if you need a completed and verified list of companies using Splice, including the breakdown by industry (21 Verticals), Geography (Region, Country, State, City), Company Size (Revenue, Employees, Asset) and related IT Decision Makers, Key Stakeholders, business and technology executives responsible for the software purchases.
The Splice customer wins are being incorporated in our Enterprise Applications Buyer Insight and Technographics Customer Database which has over 100 data fields that detail company usage of software systems and their digital transformation initiatives. Apps Run The World wants to become your No. 1 technographic data source!
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| Logo | Customer | Industry | Empl. | Revenue | Country | Vendor | Application | Category | When | SI | Insight |
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Cutty Sark | Leisure and Hospitality | 25 | $5M | United Kingdom | Bending Spoons | Splice | Video Editing | 2021 | n/a |
In 2021 Cutty Sark deployed Splice to support short form social media video production, using Splice as the core Video Editing tool for channel content creation and scheduling. The implementation placed Splice at the center of the pub's content workflow, with the Social Media Officer responsible for producing videos, replying to direct messages and comments, and posting according to a schedule agreed with the Area Marketing Manager.
Splice was used for timeline editing, trimming, titling and sequence assembly, combined with mobile-friendly audio and basic color adjustments consistent with Video Editing functionality. Production assets were sourced from Adobe Lightroom, Photoshop and Canva and assembled into Splice projects to create social clips and promotional sequences for Cutty Sark's social channels.
Operational coverage focused on the Cutty Sark pub in London, supporting the Social Media Officer and coordinating with floor supervisors and the restaurant and bar team for content capture and on-premise shoots. Governance relied on a content calendar and posting schedule approved by the Area Marketing Manager, integrating content production responsibilities into existing front-of-house supervision duties rather than creating a separate production team.
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FNAIM | Non Profit | 300 | $35M | France | Bending Spoons | Splice | Video Editing | 2019 | n/a |
In 2019, FNAIM implemented Splice as a mobile video editing tool to support social media and internal communications, positioning Splice within the Video Editing category for short form content production. The deployment occurred during a communications program led by a Digital Communication Officer based in Paris between March and August 2019, focused on community management and educational video creation tied to social network performance and an editorial calendar.
Splice was used as the primary mobile editing application for on-the-go capture and assembly of social videos, complementing desktop toolchains such as Final Cut Pro and Photoshop and design work in Canvas. Functional capabilities employed included mobile clip trimming and sequencing, title and overlay composition, soundtrack assembly, and exporting of platform-appropriate video assets for social channels, reflecting standard Video Editing workflows for rapid content iteration.
Operational coverage centered on the communications function, supporting community management, editorial calendar execution, internal communication materials, and HR CSR event coverage including campaign and contest media. Content outputs were published to social networks and supported by web and email infrastructure including WordPress, Ecwid and ASPMail for distribution and audience engagement, with Pack Office used for supporting collateral.
Governance of the Splice-driven workflow was managed by the communications team in Paris, using an editorial calendar to schedule shoots, mobile edits and publication. The implementation emphasized repeatable production practices and handoff between mobile editing and desktop post production, enabling consistent formatting for social channels and integrated use across campaign and event activities.
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Gremadis Sas | Media | 80 | $10M | France | Bending Spoons | Splice | Video Editing | 2014 | n/a |
In 2014, Gremadis Sas deployed Splice as its Video Editing application to support newsroom multimedia production. Splice was provisioned on a mix of PC and Mac workstations used by written press and web editorial staff, embedding video editing into daily editorial operations for the ouest-france.fr site.
The implementation emphasized capture and post production workflows common to the Video Editing category, with configuration of ingest, timeline editing, trimming and web export presets tailored to fast editorial turnaround. Splice was used to create and export short-form video packages suitable for online publishing, and the configuration included standardized export profiles to match the newsroom publishing pipeline.
Splice operated alongside existing editorial and enterprise tools, notably Wedia and Open 3 for asset management, V3 and Siroco for editorial processes, and Daily field reports for content intake. Finalized media files were transferred via FTP into the Wordpress powered site ouest-france.fr, while correction, proofreading and rewriting steps remained coordinated with page layout tools such as InDesign and Dreamweaver.
Operational scope covered the Saint-Nazaire and Flers editorial teams, integrating video production into established editorial review and publishing workflows. Governance focused on cross-platform editing procedures, editorial handoff checkpoints, and file transfer and storage conventions to ensure consistent delivery into the web CMS.
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Professional Services | 25 | $3M | France | Bending Spoons | Splice | Video Editing | 2020 | n/a |
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Professional Services | 10 | $2M | France | Bending Spoons | Splice | Video Editing | 2017 | n/a |
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